Nihaal Faizal is an artist based in Bangalore, India. In 2018, he founded Reliable Copy, a publishing house for works, projects, and writing by artists. Between 2013-16, he organised G.159, a project space in Yelahanka New Town.


upcoming:

Total Runtime 01:07:29 curated by Reliable Copy at Amant, New York (11 May 2024)


ongoing:

Studio & Research Residency at Amant, New York (1 March - 31 May 2024)

Network Culture at 421 Arts Campus, Abu Dhabi (11 February - 28 April 2024)


online:

The Hindu - Tiki Rajwi on ‘Mohammed Rafi Fan Blog’ (2017)

Contemporary Art Library - (video art) at Bill’s PC, Western Australia

Artforum - Mario D’Souza on red curtains opening at Chatterjee & Lal, India

TAKE on Art - Arushi Vats on ‘Mohammed Rafi Fan Blog’ (2017)

Printed Matter - ‘POLITE’ (2021) and ‘Biennale Artist’ (2022)

ASAP | Art - Samira Bose on Special FX at Blueprint12, India

BOMB - Anisha Baid interviews the artist on Special FX at Blueprint12, India

The New Indian Express - Dyuti Roy on Special FX at Blueprint12, India

IDEAS Journal - Samira Bose interviews the artist and Sarasija Subramanian on Reliable Copy

Rhizome - ‘MK Stickers (2021) in First Look: New Art Online at New Museum

ASAP | Art - ‘Esther’ (2014) and ‘The Representational Artist’ (2014)

MARCH - Arushi Vats interviews the artist and Sarasija Subramanian on at the kitchen table at 1Shanthiroad Studio/Gallery, India

HOAX - ‘TP S3’ (2018)

TransAsia Photography - Mallika Leuzinger on Haleema Hashim

ASAP | Art - Anisha Baid on ‘Landscape Photographs’ (2014)

PROPRIOCEPTION - Charu Maithani interviews the artist on ‘PowerPoint Animation Effects’ (2014)

Temporary Art Review - Anisha Baid on Final Review at G.159, India


contact: 

nihaalfaizal@gmail.com 



PowerPoint Animation Effects
2014
video loop
02:18

PowerPoint Animation Effects brings together all the available animation effects found on the user-level software Microsoft PowerPoint 2010.

Usually applied in slideshow presentations to animate photographs and other images, these effects are peripheral tools that are only to be witnessed fleetingly. Their function is in embodying the image, and once realised, in quickly vanishing. As software change over time, and as new versions are introduced, older effects that marked our memories of technology are considered dated and soon replaced.

PowerPoint Animation Effects foregrounds these now obsolete transition effects, as they continue to animate nothing but themselves, transitioning from one blank image to the next.


Further Reading:
Interview with Charu Maithani, PROPRIOCEPTION