Nihaal Faizal is an artist based in Bangalore, India. In 2018, he founded Reliable Copy, a publishing house for works, projects, and writing by artists. Between 2013-16, he organised G.159, a project space in Yelahanka New Town.


upcoming:

Total Runtime 01:07:29 curated by Reliable Copy at Amant, New York (11 May 2024)


ongoing:

Studio & Research Residency at Amant, New York (1 March - 31 May 2024)

Network Culture at 421 Arts Campus, Abu Dhabi (11 February - 28 April 2024)


online:

The Hindu - Tiki Rajwi on ‘Mohammed Rafi Fan Blog’ (2017)

Contemporary Art Library - (video art) at Bill’s PC, Western Australia

Artforum - Mario D’Souza on red curtains opening at Chatterjee & Lal, India

TAKE on Art - Arushi Vats on ‘Mohammed Rafi Fan Blog’ (2017)

Printed Matter - ‘POLITE’ (2021) and ‘Biennale Artist’ (2022)

ASAP | Art - Samira Bose on Special FX at Blueprint12, India

BOMB - Anisha Baid interviews the artist on Special FX at Blueprint12, India

The New Indian Express - Dyuti Roy on Special FX at Blueprint12, India

IDEAS Journal - Samira Bose interviews the artist and Sarasija Subramanian on Reliable Copy

Rhizome - ‘MK Stickers (2021) in First Look: New Art Online at New Museum

ASAP | Art - ‘Esther’ (2014) and ‘The Representational Artist’ (2014)

MARCH - Arushi Vats interviews the artist and Sarasija Subramanian on at the kitchen table at 1Shanthiroad Studio/Gallery, India

HOAX - ‘TP S3’ (2018)

TransAsia Photography - Mallika Leuzinger on Haleema Hashim

ASAP | Art - Anisha Baid on ‘Landscape Photographs’ (2014)

PROPRIOCEPTION - Charu Maithani interviews the artist on ‘PowerPoint Animation Effects’ (2014)

Temporary Art Review - Anisha Baid on Final Review at G.159, India


contact: 

nihaalfaizal@gmail.com 



The Magic Pencil
2020
series of drawings on TOMY Megasketcher Classics, with Generic Shaka Laka Boom Boom rubber heads
13 x 16.7 x 3 inches

The Magic Pencil takes off from the popular Indian TV show, Shaka Laka Boom Boom, that was broadcast on Star Plus beween 2002 to 2004. It tells the story of a boy named Sanju, who comes in possession of a magic pencil. With this pencil, anything he draws comes to life, and once its intended function is completed, faithfully disappears.

Within the show, this magic pencil functions as a technological gadget - one that can be used towards achieving an infinite range of desires. In realising these desires, it also presents a world without consequence - instead of accumulating like all material objects, these entities simply disappear, or can even be erased away.

For this series of drawings, moments from the show, ranging from the act of drawing to the drawn object’s manifestation, are produced using a magic slate toy. Usually a tool for temporary drawing, reliant on its function of quick and easy erasure, the magic slate is an object that replicates the logic and terminology associated with the TV show, though without its truly magical potential.

Suspended in a state of temporary stability, these drawings are presented fitted with mass produced rubber heads from the TV show’s informal merchandising.