Nihaal Faizal is an artist based in Bangalore, India. In 2018, he founded the publishing house Reliable Copy and between 2013-16, he organised the project space G.159.


News:

Nihaal Faizal is the recipient of a research grant from The Jenni Crain Foundation.

Reliable Copy is a recipient of Printed Matter’s inaugural Publisher Work Grant.


Publications:

RTI-1242-2021–PMR
Koraii Books and Press Works, 2025

RTI-1242-2021–PMR (Hardcover)
Koraii Books and Press Works, 2025

The Real Taste of India
(with Chinar Shah)
Reliable Copy, 2023


Biennale Artist
self-published, 2022

The Supernatural Spectacular (PDF)
self-published, 2021

POLITE
self-published, 2021


MK Stickers (PDF)
Rhizome, 2021

Landscape Photographs
self-published, 2016


Catalogues:

red curtains opening
Chatterjee & Lal, 2023

Special FX
Blueprint12, 2022


Contributions:

Acts of Departure: Dispatches from The Last Emporium
Publication Studio Pearl River Delta, 2023

TAKE on Art: Issue 28 (insert)
Take on Art, 2022


Group Show Catalogues & Anthologies:

Points of View: Defining Moments of Photography in India
Kiran Nadar Museum of Art, 2022

View India: Contemporary Photography and Lens-based Art From India
Buchhandlung Walther König, 2019

#exstrange: A Curatorial Intervention on eBay
Maize Books, 2017

To Make a Public: Temporary Art Review 2011-2016
INCA Press, 2016

Double Road
Goethe-Institut / MMB, 2016


Press:

Rhizome
Anisha Baid, 2024

The Hindu
Tiki Rajwi, 2024

Artforum
Mario D’Souza, 2023

TAKE on Art
Arushi Vats, 2022

ASAP | Art
Samira Bose, 2022

BOMB
Anisha Baid, 2022

The New Indian Express
Dyuti Roy, 2022

IDEAS Journal
Samira Bose, 2022

ASAP | Art
Anisha Baid, 2021

PROPRIOCEPTION
Charu Maithani, 2017

Temporary Art Review
Anisha Baid, 2016


Contact:

nihaalfaizal@gmail.com


The Magic Pencil
2020
series of drawings on TOMY Megasketcher Classics, with Generic Shaka Laka Boom Boom rubber heads
13 x 16.7 x 3 inches

The Magic Pencil takes off from the popular Indian TV show, Shaka Laka Boom Boom, that was broadcast on Star Plus beween 2002 to 2004. It tells the story of a boy named Sanju, who comes in possession of a magic pencil. With this pencil, anything he draws comes to life, and once its intended function is completed, faithfully disappears.

Within the show, this magic pencil functions as a technological gadget - one that can be used towards achieving an infinite range of desires. In realising these desires, it also presents a world without consequence - instead of accumulating like all material objects, these entities simply disappear, or can even be erased away.

For this series of drawings, moments from the show, ranging from the act of drawing to the drawn object’s manifestation, are produced using a magic slate toy. Usually a tool for temporary drawing, reliant on its function of quick and easy erasure, the magic slate is an object that replicates the logic and terminology associated with the TV show, though without its truly magical potential.

Suspended in a state of temporary stability, these drawings are presented fitted with mass produced rubber heads from the TV show’s informal merchandising.