Nihaal Faizal is an artist based in Bangalore, India. In 2018, he founded Reliable Copy, a publishing house for works, projects, and writing by artists. Between 2013-16, he organised G.159, a project space in Yelahanka New Town.


upcoming:

Total Runtime 01:13:00 curated by Reliable Copy at Amant, New York (11 May 2024)


ongoing:

Studio & Research Residency at Amant, New York (1 March - 31 May 2024)

Network Culture at 421 Arts Campus, Abu Dhabi (11 February - 28 April 2024)


online:

The Hindu - Tiki Rajwi on ‘Mohammed Rafi Fan Blog’ (2017)

Contemporary Art Library - (video art) at Bill’s PC, Western Australia

Artforum - Mario D’Souza on red curtains opening at Chatterjee & Lal, India

TAKE on Art - Arushi Vats on ‘Mohammed Rafi Fan Blog’ (2017)

Printed Matter - ‘POLITE’ (2021) and ‘Biennale Artist’ (2022)

ASAP | Art - Samira Bose on Special FX at Blueprint12, India

BOMB - Anisha Baid interviews the artist on Special FX at Blueprint12, India

The New Indian Express - Dyuti Roy on Special FX at Blueprint12, India

IDEAS Journal - Samira Bose interviews the artist and Sarasija Subramanian on Reliable Copy

Rhizome - ‘MK Stickers (2021) in First Look: New Art Online at New Museum

ASAP | Art - ‘Esther’ (2014) and ‘The Representational Artist’ (2014)

MARCH - Arushi Vats interviews the artist and Sarasija Subramanian on at the kitchen table at 1Shanthiroad Studio/Gallery, India

HOAX - ‘TP S3’ (2018)

TransAsia Photography - Mallika Leuzinger on Haleema Hashim

ASAP | Art - Anisha Baid on ‘Landscape Photographs’ (2014)

PROPRIOCEPTION - Charu Maithani interviews the artist on ‘PowerPoint Animation Effects’ (2014)

Temporary Art Review - Anisha Baid on Final Review at G.159, India


contact: 

nihaalfaizal@gmail.com 



royalty-free chroma-key green
2014
4 channel video loop
02:40; 04:25; 02:50; 03:00


royalty-free chroma-key green brings together four looping videos featuring clips extracted from sample videos downloaded from different stock image websites. Extracted from a wide range of stock videos, the clips present a blank green background, designated to be filled in with the replacement of one’s choice during post-production. In the original videos, these blank screens are visible only momentarily, before they are backgrounded by their actual subjects - usually unambiguous actors performing a range of equally unambiguous roles and actions.

Extracted and isolated, in these video loops, the green screen backgrounds remain empty, but start to foreground themselves as a notional colour - one that is a conceptual impossibility - more an idea than a fixed entity.

Foregrounded also are the watermarking standards (and in some cases, their modifications over time) employed by the four different royalty-free image companies - shutterstock, getty images, pond5, and depositphotos. 


Further Reading:
Interview with Charu Maithani, PROPRIOCEPTION